The latest release is Expanding Intellectual Property.

Practices of Coexistence
(Constructions of the other in early modern perceptions) was launched on 15th June at the Central European University in Budapest.

Utopian Horizons was launched on 30th May at CEU Budapest, more.

The Stranger, the Tears, the Photograph, the Touch (Divine presence in Spain and Europe since 1500): a selection of pictures from this book was on display in the Hungarian House of Photography – Mai Manó House until May 24.

The Last Superpower Summits is highly recommended by Choice. The book was presented on April 11 at the Institute for European, Russian, and Eurasian Studies of The George Washington University.

House of a Thousand Floors  is a 2016 INDIES Finalist in the Science Fiction category. 

2017 Spring/Summer Catalog is available for download.

Roma-Gypsy Presence in the Polish-Lithuanian Commonwealth, 15th-18th Centuries by Lech Mróz received honorable mention for the Kulczycki Book Prize in Polish Studies.

Top five CEU Press titles by number of copies sold in 2016:
With Their Backs to the Mountains
How They Lived
Post-Communist Mafia State
Arguing it Out
Hybrid Renaissance

Top five by sales revenue in 2016:
With Their Backs to the Mountains
How They Lived
Art Beyond Borders
Nationalizing Empires
Holocaust in Hungary





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The Green Bloc

Neo-avant-garde Art and Ecology under Socialism


Maja Fowkes
, Co-Director of the Translocal Institute for Contemporary Art, Budapest

Expanding the horizon of established accounts of Central European art under socialism, The Green Bloc: Neo-avant-garde Art and Ecology under Socialism uncovers the neglected history of artistic engagement with the natural environment in the Eastern Bloc. Focussing on artists and artist groups whose ecological dimension has rarely been considered, including the Pécs Workshop from Hungary, OHO in Slovenia, TOK in Croatia, Rudolf Sikora in Slovakia, and the Czech artist Petr Štembera, Maja Fowkes’s innovative research brings to light an array of distinctive approaches to nature, from attempts to raise environmental awareness among socialist citizens to the exploration of non-anthropocentric positions and the quest for cosmological existence in the midst of red ideology. Embedding artistic production in social, political, and environmental histories of the region, this book reveals the artists’ sophisticated relationship to nature, at the precise moment when ecological crisis was first apprehended on a planetary scale.

"Measuring progress in tons of wheat or coal, the communist authorities in Eastern Europe treated the natural environment as little more than a resource to be ruthlessly exploited. But, as Maja Fowkes shows in her pioneering book, environmentally minded artists in Hungary, Czechoslovakia, and Yugoslavia in the 1970s found highly creative ways of testing official indifference to the effects of industrial modernity. Most of their artworks and actions were ephemeral, leaving few traces either in the landscape or in art history. The Green Bloc is a deeply researched and vividly written act of rediscovery. "
Professor David Crowley, Head of Critical Writing in Art & Design Programme, Royal College of Art, London

"The Green Bloc has it all: original research on an uncommon subject, a new approach uniting ecology with conceptual art analysis, as well as a language able to carry the reader all through the text while discovering the particular ways art and nature built up a new social landscape. Using as a ground the socialist environment of Central Europe, the book is concerned with ways of introducing new questions into the narrative of art history, furthering our understanding of how artists managed to expand state ideas of the social and performed the emergence of a discourse on co-evolution that is extremely important today."

Professor Chus Martinez, Head of the Institute of Art of the FHNW Academy of Arts and Design, Basel

2015
308 pages
ISBN 978-963-386-068-7 cloth $65.00
ISBN 978-615-5225-92-5 paperback $35.00

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