CEU Press books are distributed also in digital version. See the top 20 e-sales from 2005 till June 2008.

Bestsellers on two tracks. Five titles figure both among traditional and digital top 20: A Cardboard Castle, A Biographical Dictionary of Women's Movements, Russian Foreign Policy, Ascensions on High, and Ideologies and National Identities.

"A sharp, thoughtful, graciously written study, based on impressive research in the archives of the French and Italian parties, as well as East German records, for insights into Soviet actions. The book does not change the overall understanding of the positions and roles of the two parties, but it adds much rich detail and subtlety. Summing up: highly recommended". – Choice on Which Socialism, Whose Détente?

"The four case studies provide substantial grist for those interested in generalizations about successful state building. Furthermore, specialists should find the cross-country comparisons on the development of tax regimes interesting. Summing up: recommended." – Choice on State-Building

"Filled with new information and original ideas and offering intriguing incentives for further research, this well-edited volume is not only a remarkable edition to the literature on European eugenics but provides invaluable insights into the broader currents of intellectual life in central and southeast Europe.” – Slavic Review on Blood and Homeland

Both From Solidarity to Martial Law and Islam and Tolerance in Wider Europe are highly recommended by Choice.

In the past few years Carleton University, as well as the Universities of Kansas and Maryland have excelled in adopting CEU Press books for courses. Our most popular titles were Prague Tales, A Life Under Russian Serfdom and Between Past and Future.

"This is the book that I wish someone had given me the day I arrived in Prague" – Prague Post on From Good King Wenceslas to the Good Soldier Svejk





Search the full text of our books:


 

The Bauhaus Idea and Bauhaus Politics

by Éva Forgács

"Drawing heavily on the large number of exceptionally strong monographs and published document collections, as well as Bauhaus archives, Forgacs retells the story with considerable verve, focusing on personalities and ideas, not on the objects or buildings produced... What is noteworthy is the centrality in Forgacs's tale of 'spirit of the age' as the driving force and determining factor in events. Defining 'the polarization of artistic individuality versus the increasing depersonalization of mass production' as one of the fundamental conflicts of our age, Forgacs argues frequently and flamboyantly that the spirit of the age-embodied in tides, waves, currents-shaped the outcome of conflicts." - The American Historical Review

"In this thought-provoking work, the author brings to bear the understanding of the postmodern era and an Eastern European perspective." - Choice

"Forgács tells her story well." - Art History

Forgacs examines the development of the Bauhaus school of architecture and applied design by focusing on the idea of the Bauhaus, rather than on its artefacts. What gave this idea its extraordinary powers of survival? Founded in 1919, with the architect Walter Gropius as its first director, the Bauhaus carried within it the seeds of conflict from the start. The duration of the Bauhaus coincides very nearly with that of the Weimar Republic; the Bauhaus idea - the notion that the artist should be involved in the technological innovations of mechanization and mass production - is a concept that was bound to arouse the most passionate feelings. It is these two strands - personal and political - that Forgacs so cleverly interweaves. The text has been extensively revised since its original publication in Hungarian, and an entirely new chapter has been added on the Bauhaus's Russian analogue, VkhUTEMAS, the Moscow academy of industrial art.

1995
248 pages, 10 illustrations
ISBN 978-1-85866-012-7 paperback $26.95 / €22.95 / Ł16.95

 

top