The Nonconformists
Culture, Politics, and Nationalism in a
Serbian Intellectual Circle, 1944–1991
Nick Miller, Boise State University, Idaho
Serbia’s national movement of the 1980s and 1990s,
the author suggests, was not the product of an ancient,
immutable, and aggressive Serbian national identity;
nor was it an artificial creation of powerful political
actors looking to capitalize on its mobilizing power.
Miller argues that cultural processes are too often
ignored in favor of political ones; that Serbian intellectuals
did work within a historical context, but that they
were not slaves to the past. His subjects are Dobrica
Ćosić (a novelist), Mića Popović
(a painter) and Borislav Mihajlović Mihiz (a literary
critic). These three influential Serbian intellectuals
concluded by the late 1960s that communism had failed
the Serbian people; together, they helped forge a new
Serbian identity that fused older cultural imagery with
modern conditions.
"Theoretically informed, elegantly written, and rich in necessary nuances, the book offers a corrective to simplistic, one-dimensional interpretations of the role of intellectuals in the rise of Serbian nationalism. It provides a critical analysis of the meanders of national politics during the Tito regime. The discussion of the Ranković affair and its role in catalyzing Ćosić’s sense of Serbs being victims of national discrimination is among the best in literature. For Miller, like for such authors as Isaiah Berlin and Leah Greenfeld, nationalism is a matter of dignity.” Vladimir Tismaneanu, University of Maryland
“Nick Miller is the riveting stylist who happens to be a historian, and the judicious historian who happens to be a writer. His humane and passionate account of the ‘Nonconformists’ will cause those who have read everything on the subject to rethink what they know; and those who have read not a single book to want to know more. Both sets of readers—and those in between—will find this book exceptionally edifying.” John Connelly, University of California Berkeley
"Miller’s insightful study tackles the interaction of culture, politics, and nationalism in Serbia since 1945. Skillfully avoiding the extremes typical of much existing literature, which tends to describe nationalism in Serbia either as the expression of centuries old ethnic hatreds or the creation of unscrupulous politicians, Miller offers an entirely new approach grounding it in the specific postwar experiences of a small but important group of Serbian intellectuals. With tightly woven prose and dry humor, Miller shows how the genuine and sincere intellectuals who inspired unscrupulous politicians like Milošević evolved from humanists ‘willing to let communism have its chance’ into committed nationalists. As we enter their psyches, and learn their individual backgrounds and experiences, we begin to see why their message was so effective and the masses so easily manipulated. Thus Miller’s work connects politics to the realm of culture in a way that is critical to understanding the events of the last decades.” Carol Lilly, University of Nebraska
Reviews:
"The Nonconformists sets out to examine the evolution of Serbian nationalism
through a prism as intuitive as it is unlikely—writers and artists, figures typically associated with radical politics but less often with
the political right.(...) Miller
emphasizes that it is not his intent to create sympathy for the nationalists
but to understand why some Serbs viewed Milošević and the radical nationalist
movement as a solution to the oppression that they felt in Yugoslavia.
He does so superbly.
The Nonconformists is not a fast-paced book;
it is nearly impossible to skim. Every chapter—indeed,
every page—contributes to Miller’s narrative
about the processes of nationalist transformation. By
examining the gradual shifts in this transformation,
Miller convincingly demonstrates that radical nationalism
was neither intrinsic to the Serbian psyche nor a fait
accompli. Those who believe Miller’s argument
(as I do) will agree that this process is destined to
continue. 'Perhaps,' as Miller concludes hopefully,
the next ideological turn will be toward something 'more
humane.'" Emily Greble Balić, Journal
of Interdisciplinary History
"Over the last five years, in articles and reviews,
Nick Miller has been pushing historians and other scholars
to ask the question: can Serbian intellectuals be held
accountable for 'the creation of one of the most intolerant
and narcissistic national movements that I know of?'
... Miller lays out the case for three influential Serbian
literary and cultural figures: a novelist, Dobrica Ćosić;
a painter, Mića Popović; and a literary critic
and playwright, Borislav Mihajlović Mihiz. ...
In Miller’s capable hands, the four-decade cultural
and intellectual journey they took to nationalism is
understandable and explainable, and their embrace of
Slobodan Milošević was a predictable outcome
of 'their perceptions of the nature and the needs of
the Serbian nation' (p. 359). Miller concludes that
not only was their support for Milošević
logical and expected, in fact, it was their cultural
production and intellectual leadership that prepared
the groundwork." Melissa Bokovoy, American
Historical Review
Contents
Preface; Chapter 1 Simina 9a in a New Yugoslavia; Chapter 2 Nonconformist Initiations; Chapter 3 Ćosić: Engagement and Disillusionment, 1956–1966; Chapter 4 Drama and Politics: Mihiz in the Sixties; Chapter 5 The Suicide and Rebirth of the Painting: Mića Popović, 1959–1974; Chapter 6 Fragmented Serbia; Chapter 7 Ćosić and Popović Return To Serbia; Chapter 8 From Principle to Catharsis; Chapter 9 The Children of Cain; Chapter 10 The Limits of Revelation; Chapter 11 The Legend of Simina 9a in Serbia’s Modern History; Bibliography, Illustration Credits; Index
2007
396 pages + 16 pages with color illustrations
ISBN
978-963-7326-93-6 cloth $44.95 / €34.95 / £22.95
ISBN
978-963-9776-13-5 paperback $24.95 / €19.95 / £16.99
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